[abustamam]

I don't know anything about electronic music or what a DAW is, but his usage of "dragging boxes around" could either be a gross reduction in the process of creating art, or it could genuinely be just mundane tasks.

It's like if someone says my job as a SWE is just pressing keys, or looking at screens. I mean, technically that's true, and a lot of what I do daily can certainly be considered mundane. But from an outsiders perspective, both mundane and creative tasks may look identical.

I play around with image/video gen, using both "single prompt to generate" à la nano banana or sora, and also ComfyUI. Though what I create in ComfyUI often pales in comparison to what Nano or Sora can generate given my hardware constraints, I would consider the stuff I make in ComfyUI more creative than what I make from Sora or Nano, mainly because of how I need to orchestrate my comfy ui workflow, loras, knobs, fine tuning, control net, etc, not to mention prompt refinement.

I think creativity in art just boils down to the process required to get there, which I think has always been true. I can shred papers in my office, but when Banksy shred his painting, it became a work of art, because of the circumstances in which it was creative.

[anonymous908213]

Just to provide a little more context, a DAW (Digital Audio Workstation) is, underneath all of the complexity and advanced features piled on top, a program which provides a visual timeline and a way to place notes on the timeline. The timeline is almost directly analogous to sheet music, except instead of displaying notes in a bespoke artificial language like sheet music does, they are displayed as boxes on the timeline, with the length of the box directly correlating to how long the note plays. Placing and dragging these boxes around makes up the foundation of working in a DAW, and every decision to place a box is a decision that shapes the resulting music.

Where to place boxes to make good music is not obvious, and typically takes a tremendous understanding of music theory, prior art, and experimentation. I think the comparison to an author or programmer "just pressing keys" is apt. Reducing it to the most basic physical representation undercuts all of the knowledge and creativity involved in the work. While it can be tedious sometimes, if you've thought of a structure that sounds good but there is a lot of repetition involved in notating it, there are a lot of software features to reduce the tedious aspects. A DAW is not unlike an IDE, and there are ways to package and automate repetitive musical structures and tasks and make them easy to re-use, just as programmers have tools to create structures that reduce the repetitive parts of writing code so they can spend more of their attention on the creative parts.

[abustamam]

Thanks! That makes sense.