[freedomben]

Yes, definitely a culture thing. I had a very difficult time finding most British humor funny when I was younger, but my personality combination of loving humor and comedy and also being incredibly interested in people, drove me to want to understand why British humor was funny when most of the time it just seemed so absurd.

It was a multi-decade path so it's very difficult to identify progression points, but slowly through exposure I began to "get it" and now I adore British comedy and humor. I still adore American comedy and humor as well, but the more exposure to the culture I got, the more I understood it.

Obviously that's just anecdotal, but I personally find it strong evidence that the humor divide is indeed cultural. The more similar cultures are to begin with, the easier the leap is.

To me the most exciting part of this is that it means there are thousands of other cultures on this planet that have humor that I have not unlocked yet. Someday I hope to!

Edit: for a very fascinating example of differences, I love comparing the UK version of the office to the US version of the office. To many Americans, David Brent mostly just came off mean and an asshole, even a poisonous one, whereas Michael Scott comes off as eccentric and clueless and unable to read the room, but overall a mostly good guy. That perception makes David Brent kind of hateable whereas Michael Scott kind of lovable.

Another fascinating point of comparison is the UK version of ghosts, versus the US version of ghosts. I'll leave comparisons and contrasts on those to others as I haven't watched all of the UK version of ghosts yet. I'd be fascinated to hear what others think of that, and the office for that matter.

[torginus]

It's the opposite for me - the 'you can't change anything, the world sucks, the best you can do is endure and be snarky about it' attitude appealed a lot more to me when I was younger.

[JCattheATM]

I watched both versions of Ghosts, and found them to be quite similar honestly. The US version can be a little more slapstick and a little more goofy, but that's about it.

[dbspin]

David Brent is poisonous, and indeed hatable. The point of the British version of the show is not that he's more tolerable or likeable to the British. If anything it's more pointed how awful he is this side of the water, given the preponderance of bosses exactly like this. What makes the show work in the UK (and Ireland), is a greater cultural willingness to see the worst aspects of reality reflected in entertainment. Versus the focus on escapism in even the most grim US television - i.e.: Tony Soprano is a monster, but he also has charisma and glamour. Walter White is dying and becoming more and more amoral, but he also goes from being a dork to a badass. Both characters are utter glamorisations of what their real life counterparts would be like. Along with the surrealism there's a genuine existentialism to the darkest of UK comedy - from early Alan Partridge to Nighty Night. An actual interest in examining the nature of cruelty and suffering.

[freedomben]

> Versus the focus on escapism in even the most grim US television

Interesting observation, thank you! Lot to noodle on there :-)

[PaulDavisThe1st]

> i.e.: Tony Soprano is a monster, but he also has charisma and glamour. Walter White is dying and becoming more and more amoral, but he also goes from being a dork to a badass. Both characters are utter glamorisations of what their real life counterparts would be like.

I'm not actually disagreeing with you, but I wonder how you think you know this to be true?

[dbspin]

Well for one, no real life mob overlord has a killer sound track and the best DOPs in the business making him look 'cool'. Real life violence doesn't cut away. Real life doesn't have moments of humours for the families of the murdered left behind etc etc.

I'm a filmmaker myself, and the nature of narrative television is to glamorise.