| That website would contain the full text of A Perfect Day for Bananafish, but in a fragmented form. Would it still be fair use? This is a good question. The Academic purpose, however, would seem to be very useful as a criterion for Fair use (under point 1). The completeness of a compendium, however, may create its own issues (under point 4).[1] The closest commercial example, might be sampling of music. Perhaps the early 80's, with the emergence of DJ culture etc. Small pieces of extant art, repurposed. This did not usually impact the original adversely. And the issue is not that no new value is being created -- it most certainly is -- its just that these things tend to end up in court. So, to avoid that, people settle or license. I would be open to hearing other arguments or cases, but I think that we would need to start with something that has at its origin a commercial endeavor. Another example that comes to Mind is Shep Farley, the Obama Hope poster. This had a good amount of transformation on top of a sample of an image from a photograph. But ended up being settled out of court. See eg: http://en.wikipedia.org/wiki/Shepard_Fairey#Legal%20issues%2... _______ [1] Eg if it rendered away in full the need to buy at least 1 extant copy to study |
Let's say an annotation platform allowed users to post snippets of material as freely as Youtube, along with annotations and commentary. And let's use A Perfect Day for Bananafish again as the source of these snippets of text. Imagine the following sequence.
Alice posts the first paragraph of the story, along with extensive notes. Bob posts the second paragraph of the story, along with extensive notes. Carol adds an annotation to the first paragraph with a link to the second paragraph. Dave, Eve, and a few dozen other people jump in the mix, and pretty soon you have the entirety of A Perfect Day for Bananafish on the annotation site, and it's incredibly easy to read the paragraphs in full and in their original order. Maybe the annotation site even has an algorithm that detects related pieces of content, and creates the links automatically. (This is certainly the case for Youtube.)
Where should the takedown notice be directed? Each person in the chain only posted a small part of the work, and each post includes annotations and commentary that would seem to grant it fair use protections. Taken as a whole, though, the entire work has been recreated in full. Can the rightsholder demand that the website remove links users make between posts? If so, under what section of the DMCA? And what happens if the links are made algorithmically?
Does a rightsholder have to issue takedown notices for each piece of the chain individually? If the people who made the posts file appeals, does the rightsholder have to take each and every one of them to court in separate cases? And if they do, would they get demolished by counterclaims?
This isn't an idle question, when you think about the annotations for The Great Gatsby[3] that the founders of Rap Genius have been mentioning in their recent interviews. It seems like this sort of scenario is inevitable, and I don't know if copyright holders have any way of actually dealing with it.
[1] http://www.google.com/hostednews/afp/article/ALeqM5h_AfErLSM...
[2] http://en.wikipedia.org/wiki/Lenz_v._Universal_Music_Corp.
[3] http://rapgenius.com/search?q=the+great+gatsby
Edit: It's important to keep in mind that, in this scenario, all of the potentially infringing content is being posted by people with no commercial motive, which makes it different from the Shepard Fairey case. The annotation site itself is making money, but is protected by the DMCA under current understanding of the law.
Edit x2: I love how deeply annotated this discussion of annotations is. Quick, someone link to this thread from Rap Genius and close the loop!