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A few months ago I spoke with the frontman of a local Boston band from the 1980s, who recently re-released a single with the help of AI. The source material was a compact cassette tape from a demo, found in a drawer. He used AI to isolate what would've been individual tracks from the recording, then cleaned them up individually, without AI's help. Does that constitute "wholly or in substantial part"? Would the track have existed were it not for having that easy route into re-mastering? I understand what Bandcamp's trying to do here, and I generally am in support of removing what we'd recognize as "fully AI-generated music", but there are legitimate creative uses of AI that might come to wholly or substantially encompass the output. It's difficult to draw any lines line on a creative work, by just by nature of the work being creative. (For those interested - check out O Positive's "With You" on the WERS Live at 75 album!) |
What people get mad about is the use of AI to generate whole tracks. Generating rhythms, melodies, harmonies etc via AI isn't greeted warmly either, but electronic musicians generally like experimenting with things like setting up 'wrong' modulation destinations in search of interesting results. I don't think anyone seriously objects to AI-produced elements being selected and repurposed as musical raw material. But this is obviously not happening with complete track generation. It's like playing slot machines but calling yourself a business person.