[elsjaako]

I agree. My problem with AI produced media is that a lot of the things I've seen are really bad. If someone uses AI, but has taste and takes the time to curate and fix the output, then the output can be fine.

Just like with digital effects in movies, plastic surgery, and makeup - if it's done well, there's a good chance I didn't even notice it. If it's clearly noticeable, it's often because it's not done well.

I think you can compare to another "uncreative" way of making music: sampling. The way the Timelords do it in "Doctorin' the Tardis" is pretty terrible (in their case on purpose, I believe). There are plenty of hip hop examples where I think musically not much is added to the music, but the lyrics and maybe the act do add a lot. And then there are bands like Daft Punk that will chop up and recontextualize the samples to the point that it's clearly a completely new thing.

[platevoltage]

There were plenty of hiphop examples where the samples are recontextualized as well, then Puff Daddy came along and attempted to rap over virtually unchanged Led Zeppelin songs and everyone ate it up. AI Is doing the same thing to music that he did decades ago. ruin it.

[elsjaako]

I didn't mean to say all hiphop is like what I mention. I'm 100% sure that hiphop also does sampling in really interesting ways, I'm just not as familiar with the examples. This was not not meant as a diss, and I wasn't saying all hiphop does things the same way. I was just mentioning examples that I'm personally familiar with of "Sampling Slop", "Different kind of creativity", and "Using Sampling as a completely new instrument".

For the middle category, I meant things like Gangsta's Paradise. I really like the song, I think Coolio really adds something. But you can hear much more of "Pasttime Paradise" in there than you can hear "More Spell On You" in Daft Punk's "One More time"

I mention Daft Punk because it's really accessible: there are videos on youtube that can show a layperson like me exactly how they chopped up the samples.