[CamperBob2]

The downvotes are a good sign. If AI didn't promise massive artistic disruption -- the sort that threatens to put real creative power into the hands of outsiders -- no one would object.

Look at the history of photography itself to see an example. "But... but... but my portrait-painting skills will be obsolete! Somebody do something. Waaah."

[jayers]

Your comment left me incredibly annoyed because I think you fully misunderstand the relationship of AI to art.

> If AI didn't promise massive artistic disruption -- the sort that threatens to put real creative power into the hands of outsiders -- no one would object.

Putting creative power into the hands of outsiders isn't important. In fact, creative power is currently in the hands of outsiders. You do not need a cinema studio to make a good film. There is nothing stopping most people from making a good feature length film and putting it up on YouTube except for their willpower, spirit, and creativity.

The bottleneck on great art has never been technology but the creative vision of the individual. Increased AI presence in art will do nothing to alleviate that bottleneck.

With that said, I am not bothered by the emergence of AI or its applications for any kind of art. I'm just a realist. It will enable equally enable both the great and the shitty, so in the end it is a wash.

[CamperBob2]

Your comment left me encouraged, just because there are so few people left around here who would say something like

>You do not need a cinema studio to make a good film. There is nothing stopping most people from making a good feature length film and putting it up on YouTube except for their willpower, spirit, and creativity.

That being said, it's not true. Even Robert Rodriguez had to exercise a modicum of management skill and spend a non-trivial amount of money to get El Mariachi made. And even then, the available resources severely constrained what he could do with $7000 (about $20000 today).

The next Rodriguez is probably already using half-baked, primitive tools like WAN 2.2 to blow us all away. We just don't know who he or she is yet.

Something else that's not true is:

>It will equally enable both the great and the shitty, so in the end it is a wash.

The great works add far more to our culture than the shitty works take away. Before AI, 90% of everything was crap. After AI, 99% of everything might be crap. But the remaining 1% is all that matters.

[jayers]

My reaction to your original comment was probably too ornery.

You are right that not everyone can make a great film, but I would still contend that most everyone (in the US and Europe) has the right material conditions to make a great film (access to a camera, editing software, people, and locations). You'd need great discipline, leadership, creativity, and charisma to get it done. Most people lack one or more of those qualities.