| Just normal Luddite things, which attracts those most threatened in their personal identity by the new technology. You see it obviously with the artists and image/video generators too. We did this with Dadaism and Impressionism and photography before this too with art. Ultimately, it's just more abstraction that we have to get used to -- art is stuff people create with their human expression. It is funny to see everyone argue so vehemently without any interest in the same arguments that happened in the past. Exit through the giftshop is a good movie that explores that topic too, though with near-plagiarized mass production, not LLMs, but I guess that's pretty similar too! https://daily.jstor.org/when-photography-was-not-art/ https://www.youtube.com/watch?v=IqVXThss1z4 https://en.wikipedia.org/wiki/Dada |
I feel like “Luddite” is a misunderstood term.
https://en.wikipedia.org/wiki/Luddite
> Malcolm L. Thomas argued in his 1970 history The Luddites that machine-breaking was one of the very few tactics that workers could use to increase pressure on employers, undermine lower-paid competing workers, and create solidarity among workers. "These attacks on machines did not imply any necessary hostility to machinery as such; machinery was just a conveniently exposed target against which an attack could be made." [emph. added] Historian Eric Hobsbawm has called their machine wrecking "collective bargaining by riot", which had been a tactic used in Britain since the Restoration because manufactories were scattered throughout the country, and that made it impractical to hold large-scale strikes. An agricultural variant of Luddism occurred during the widespread Swing Riots of 1830 in southern and eastern England, centring on breaking threshing machines.
Luddites were closer to “class struggle by other means” than “identity politics.”