[mirabilis]

Haven’t read “The Road” yet, but I was able to take the time to read “Blood Meridian” this year— I don’t think I would describe the violence depicted as “relished.” It came across as vivid in an arduous, can’t-look-away-from-the-wreckage-so-bear-witness way, and I was really intrigued by how the Kid’s POV dissolves during the worst of it. And about “why someone might write about the worst among us”—the glory-seeking and hypocrisy of the Glanton gang also felt timely, to be frank. So, to me, it felt more like a clinical exposure of ugly rot rather than a luridly violent power fantasy like Inglorious Basterds.

Though I do kinda feel the “masculine” note in that quote haha, if only because the women that appeared in the story were steadfastly hospitable (or victims.) Disregarding any incident where the Judge was involved, it actually felt quaint, especially in contrast to everything else going on.

I’ll be interested as I check out the rest of his catalogue as to if the stomach-churning detail involved still feels necessary, or if my tolerance starts to change.

[nylonstrung]

Yeah it's hard to say he's "relishing" violence when he a very well-researched depiction of complete horrific and genocidal chapter of the Manifest Destiny period that was essentially forgotten.

I see the violence as a refutation of the idealized, sanitized version of the West popularized in mainstream Westerns. Where law and authority = good, even though the Glanton gang was funded and armed by US authorities

[justupvoting]

I think McCarthy is one of the greatest American writers, but I will say my two main gripes with him are his tendency to drift over the line into overwrought (sometimes the biblical language is incredibly powerful, sometimes not), and his utter inability to write women.

He did ok with Alicia in his last couple books, but even there he flounders some. "If I had a baby I wouldn't care about reality"? Hmm, ok?

"His face was all covered in girljuice"? C'mon bud.

But no writer is flawless.

[Slow_Hand]

Watched a video essay yesterday by a female reader who found the Aunt’s four page monologue in ‘All the Pretty Horses’ one of the most insightful and moving explanations of women she’d ever read.

She was particularly surprised to find such a passage in a book by McCarthy who she expected to be some gruff man’s man.

I haven’t read that passage myself, but seemingly Cormac was capable of writing women when he chose to. Perhaps not enough, though.

[justupvoting]

It's funny you mention it; I have a friend who writes books who had trouble with McCarthy and I recently mentioned this same criticism. I suggested ATPH to her and this same character came to mind as a decent piece of work on that subject.

I will say this about the passage tho: McCarthy writes a small narrative which does seem to explain her choices and character as it affects John Grady. It's convincing, and she's a good character, but even there she's something of a set piece.

Still, glad you mentioned this. Thanks.