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by Fwirt
265 days ago
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There are a number of interesting creative apps for iPad that can make full use of its capabilities. A good example is Nomad Sculpt. There's also CAD software, many DAWs. I haven't tested Numbers yet but I would assume its fairly well optimized. This really reminds me of the 80/20 articles that made the frontpage yesterday. Just because a lot of HN users lament the fact that their 20% needs (can't run an LLM or compile large projects on an iPad) aren't met by an iPad doesn't mean that most people's needs can't be satisfied in a walled garden. The tablet form factor really is superior for a number of creative tasks where you can be both "hands on" with your work and "untethered". Nomad Sculpt in particular just feels like magic to me, with an Apple Pencil it's almost like being back in my high school pottery class without getting my hands dirty. And a lot of the time when you're doing creative work you're not necessarily doing a lot of tabbing back and forth, being able to float reference material over the top of your workspace is enough. At this point Apple still recognizes that there is a large enough audience to keep selling MacBooks that are still general purpose computing devices to people who need them. Given their recent missteps in software, time will tell if they continue to recognize that need. |
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Assertions like this are what kill the iPad. Yes, DAWs "exist" but can only load the shitty AUs that Apple supports on the App Store. Professional plugins like Spectrasonics or U-He won't run on the iPad, only the Mac. CAD software "runs" but only supports the most basic parametric modeling. You're going to get your Macbook or Wintel machine to run your engineering workloads if that's your profession. Not because the iPad can't do these things, but because Apple recognizes that they can double their sales gimping good hardware. No such limitations exist on, say, the Surface lineup. It's wholly artificial.
I'm reminded of Damon Albarn's album The Fall - which he allegedly recorded on an iPad. It's far-and-away his least professional release, and there's no indication he ever returned to iOS for another album. Much like the iPad itself, The Fall is an enshrined gimmick fighting for recognition in a bibliography of genuinely important releases. Apple engineers aren't designing the next unibody Mac chassis on an iPad. They're not mixing, mastering and color-grading their advertisements on an iPad. God help them if they're shooting any footage with the dogshit 12MP camera they put on those things. iPads do nothing particularly well, which is acceptable for moseying around the web and playing Angry Birds but literally untenable in any industry with cutting-edge, creative or competitive software demands. Ask the pros.