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> The journalists don't think they're writing these stories to amplify the police narrative (they think they're unbiased). They just don't have the judgement (or will?) to look beyond the initial narrative which is police-driven. No, they know what they are doing and you can tell they know what they are doing by the careful way language is used differently for similar facts when the police or other favored entities are involved vs. other entities in similar factual circumstances (particularly, the use of constructions which separates responsibility for an adverse result from the actor, which is overwhelmingly used in US media when police are the actors—and also, when organs of the Israeli state are—but not for most other violent actors.) This is frequently described as “the exonerative mood” (or, sometimes, “the exonerative tense”, though it is not really a verb tense.) Carefully calibrated, highly-selective use of (often, quite awkward) linguistic constructs does not happen unconsciously, it is a deliberate, knowing choice. |
I absolutely believe that a journalist can present two analogous sets of facts in two completely different ways without even consciously realizing it. These assumptions and biases are baked in deep, especially when you are writing day-in and day-out on short deadlines.