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by lisper
271 days ago
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> so much of it boils down to “I practiced for years and developed a seemingly superhuman ability to manipulate this object”. Amateur magician here (but a magician member of the Magic Castle, so I know a few things). Manual dexterity is certainly a useful skill, but it's just a tiny part of the art of magic. You can be a consummate sleight-of-hand artist and still be a mediocre magician, and conversely, some of the best magicians don't use particularly difficult sleights. The best example of that I know of is Dani Da Ortiz's routine on Penn and Teller Fool Us: https://www.youtube.com/watch?v=5_KcQt0z-eE Now, Dani is in fact a master at sleight-of-hand, and so one would think that you are watching a masterclass in sleights, but no. There are a few sleights, but they are not particularly difficult, beginner-level. I could do them, and I'm not particularly skilled. The trick is based almost entirely on timing and misdirection and psychological subtleties. The degree of psychological subtlety in top-level magic continually blows my mind. The best magicians make it look like magic even when you know how the trick is done. Dani's trick is a consummate example. The performance looks like chaos, but in fact every detail is meticulously crafted and serves a purpose. It's almost like watching a dance. |
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Agree with this. I remember being the 'skeptic kid' at a birthday party long ago. The magician involved me in a trick everyone could figure out but it was done with charm and I was completely delighted.