[FirmwareBurner]

Except American movies(and entertainment in general) haven't been good for about 10 years now, it's all slop based on established IP from 20-30 years ago.

When I was a kid growing up in the post communist 90-00s, we were going nearly weekly to the cinema to watch the latest American movies: Blade, Shrek, Toy Story, The Matrix trilogy, LotR trilogy, American Pie, Batman trilogy, Pirates of the Caribbean trilogy, Fast & Furious, X-Men, Spider-Man, Star Wars, Scary Movie, Rush Hour, etc

We couldn't get enough of US entertainment, while now everyone here avoids the new US releases like the plague since it's only cash grabs injected with $CURRENT_DAY identity politics, diversity box ticking based on focus group testing, resulting in sterile, predictable, zero-humor, zero-edge, zero-creativity slop that's not even worth pirating.

Americans have no idea how much soft power they lost worldwide by forcing their identity politics and ideologies in entertainment. Japanese anime and Koran movies and TV shows now run rings around the US entertainment industry.

[JambalayaJimbo]

You just listed a set of blockbuster movies mostly aimed at children and teens. You’re not going to relate to that category as much anymore because you’re not a child.

The superhero movies that have filled that niche are by any measures wildly popular.

[FirmwareBurner]

The recent box office bombs disagree with you. See Iron Heart if you want a good laugh.

[ZeroGravitas]

As is traditional with these weird complaints about diversity in modern movies, most of your good old days classics examples are in fact "slop based on established IP".

I know kids in the target demographic have a place in their heart for them but Star Wars prequels given as a positive example while complaining about 30 year old IP slop?

You may also have missed the subtle subtext in Star Wars about fascism.

[FirmwareBurner]

> these weird complaints about diversity in modern movies

You're twisting my words to move the narrative goalposts. Nobody complained about diversity in movies (otherwise I wouldn't have praised Rush Hour and Blade). The complaint was about US movies today being solely built around a toxic form of diversity checkbox ticking, masquerading as entertainment, which is not interesting to anyone outside the US crowds of movie goers who care more about seeing $CURRENT_DAY political issues in their movies instead of recognizing entertainment as being fantasy escapism, which causes the US to loose soft power abroad, and judging by how they flop at the box office, US viewers aren't interested in paying for this slop either.

>most of your good old days classics examples are in fact "slop based on established IP".

Source that they're slop?

>but Star Wars prequels given as a positive example while complaining about 30 year old IP slop?

The prequels were considered shit at the time because they were compared to the original masterpieces, but compared to the modern Star Wars that Disney shits out today, they're basically gold. They ended up ageing like wine due to how bad we have it today.

>You may also have missed the subtle subtext in Star Wars about fascism.

What's your point here?