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I'm appreciative of people attempting to help others learn music, so first of all thanks! I'd suggest people really focus on their ear training though over visual feedback. Just play your scales through the circle of fifths -- set a metronome at 60, go for both hands, two octaves, parallel and contrary motion. Start with major and then move on to the three types of minor. The thing you're developing is internalizing the sound of the scales. Just picking out an F harmonic minor scale and getting a visualization I think is less fruitful for the long term. Also, for triads, while it is super important to know what the quality of the chords are inside a scale (so that you can pick up your forms like a ii-V-I in any key), I think it's more important to practice the chords themselves. When I was taught, my teacher just had me pick a few keys every morning, and then practice the major, minor, diminished, and augmented triads, with their inversions. Within a week you'll have practiced all of them. Once he could call out any key and I could play them up and down with the metronome at a decent clip, we moved onto the 10 four part chords and did the same. And then did it again in open position. And then... there's always more! For learning how the triads sit inside a key, I'd suggest playing the triad in the left hand and then playing up and down the scale so that you can start hearing the chord with the mode. So, Cmaj triad, play the C scale up/down, Dmin triad, play D dorian up/down, etc. At least that's how I was taught. |