[delllapssuck]

I laughed at this. You are so right.

I am a recovering DAW user, i.e. knob twiddler.

Manipulating spacial environments (acoustics, not knobs) is, to me, the true "art" and the most interesting skill. It predates all this gear. And it seems to be something that some people have "mastered" without necessarily being experts in, say, the the science of acoustics at the same time. (Picture all the pseudo-scientific literature the "audiofile" industry churns out as part of their marketing. I confess in my younger days I totally fell for it. Sadly I know many older folks who still do.)

Ever read TapeOp?

[actsasbuffoon]

I've been less involved with music for the past few years. It's still a hobby that I have great affection for, but I'm lucky if I find the time to record something once a year lately. Too many things to do, not enough hours in a day.

As for acoustics, I agree. The acoustics of the room you record in is the #2 factor (only behind the skill of the musician). Hundreds of thousands of dollars worth of AD/DA converters, pre amps, and microphones aren't going to fix crappy acoustics.

I've seen some great pseudo-science from audiophiles. I remember the site for a recording studio advertising that they suspended their computers in the air because of something to do with vibrations from the floor hurting the audio quality of burned CD's or some such nonsense. It was the best example of Poe's Law I've ever encountered (http://en.wikipedia.org/wiki/Poe%27s_law).

I've read a few issues of TapeOp, but it was a number of years ago.