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Yes, of course, I'm not making an argument that concerts and books are the same business. That would be dumb. I'm saying rather, there's no obvious reason to not get paid for them the same way, as long as the audience is willing. If they're not willing, that obviously won't work. But clearly in some cases (like the OPs), they are willing. So as an author, you'd have to be irrational to not want to be paid as early as possible. As a purchaser, you're free to vote with your wallet, and not pre-buy anything you don't want to. But if you want what the author is proposing, and want to give him encouragement by pre-buying, why is that somehow bad or wrong? And my fuzzy calculus aside, the first printing for most books will also be the last one. So better to get the volume right. If only there were a way to accurately gauge demand before doing a printing... |
This is not the norm in publishing, at least, the desirable kind. For most publishers who promote and market books, profits don't start until the first printing has sold out and subsequent printings begin, with (a) all book preparation activities already complete, and (b) a public who don't need to be persuaded of a book's value. It is at this point that an author begins to be looked on as more than a one-trick pony.
Imagine a pre-publication advertisement: "A truly epic myth! Floods, plagues, the anguish of being unimaginably stupid! Certain to be a best-seller if the author ever gets done writing it! Pre-order the Bible now -- get in before the rush!"
:)
> If only there were a way to accurately gauge demand before doing a printing...
In modern publishing, there's no need -- books are printed, one copy at a time, when they are ordered. For example, my book only gets printed after someone buys a copy. This change (electronic on-demand publishing) essentially wipes out the traditional publishing model.