[tptacek]

Pixies antecedents are Husker Du and Sonic Youth.

Sonic Youth was the Velvets and The Fall; I found a list of setlists from '70s CBGB and made a playlist, and you can hear Sonic Youth all over it.

Throwing Muses (a favorite of mine) a little harder to pinpoint, feels to me like the product of a scene more than a direct evolution of clear antecedents, rather than an act like Dinosaur Jr. was a perversion of Neil Young. A good contrast to Nirvana.

PJ Harvey is the Pixies antecedents plus Patti Smith. People say Beefheart; I don't know Beefheart well enough to say and have a deep suspicion of people who bring up Beefheart.

Kate Bush is prog rock.

Einsturzende is Can (or like a violent response to Can).

The Cure is radio-friendly post-punk; their early stuff, which is the only stuff that comes close to holding up, is basically Wire.

[aidenn0]

This is a complete non-sequitur, but I'm putting it here just because the sort of people who made it this deep in the comments might appreciate the story.

For Halloween, I duct-taped a banana to a tee-shirt, intending to go as Comedian[1], which had been in the news recently. My manager, when seeing me dressed this way immediately asked "Oh, are you The Velvet Underground and Nico? I love that album!" I countered with "Did you start a band?" and he said "Yes! How did you know?"

1: https://en.wikipedia.org/wiki/Comedian_(artwork)

[tptacek]

Well played. Also how big a Velvets fan can your manager really be if they don't get that joke?

[quesera]

Interesting. I hear the echoes that you mention in Sonic Youth. I would add New York Dolls.

But Sonic Youth also brought something new, more than most bands do. I've listened, as professional obligation, to the entire catalog of Velvet Underground, The Fall, New York Dolls, Iggy Pop. The Fall were the most inventive but Sonic Youth still exceeded them. I recognize that these are the giants upon whose shoulders so many other artists stand, though.

As with The Cure, there are (at least) two Sonic Youths. I see The Top and Daydream Nation as the final recordings of their respective original incarnations.

Interesting that you hear Throwing Muses as a product of a scene. I'd agree for the later records (post-House Tornado), but there was definitely no contemporary scene that the first few records fit into.

I thought about including Lush in my previous list, but did not because, although they had a unique sound, they are a clear extension of the scene they emerged from. Again thinking of the first few releases (EPs) primarily -- after 1993 or so all Brit pop sounds alike for several years.

Re: Kate Bush -- aside from the Fairlight (as successor to Moog) synth, and concept albums, I don't hear much prog rock in there. I think I may prefer to remain ignorant here!

I also left out Siouxsie & The Banshees (again, ~1980-~1990), which was an inexcusable oversight!