[Thlom]

It's been a few years since I was in the industry, but I don't think this is entirely correct. As far as I remember the polarizer (or for Dolby 3D, the color wheel) was placed on a rail system to be slid in and out of the light path when required (It's possible that cheaper/older versions can't be automated). The polarizer is placed outside of the projector in front of the lens so no password is required to remove it. There is a security step between the projector and the playback server, but that sits on the first PCB the data signal from server hits on the projector (If I remember correctly).

With regards to the projectors light source you are correct, higher illumination means more wear on the XENON lamp in older projectors. If you have the polarizer in front of the lens at all times that would be a problem. With newer laser projectors I don't think higher illumination is a big problem for the longevity of the laser.

In any case, projectionists barley exists anymore and cinema managers knows next to nothing about the technical aspect of the business. Basically everything is automated to such a degree that all the cinema chain management needs to do is to populate the ticketing system, then films, advertisements, trailers and announcements are automatically downloaded, playlists created, distributed to screens and scheduled. Lights, projectors, doors, curtains and so in is also automated.