| > I defy you to watch something like a Harold Lloyd movie involving a clock and not have sweaty palms or at least a mildly elevated ... emotional response of some sort. Be that as it may, there's probably a day coming where only a handful of people on the planet even know who that is. Or who have even seen those films. And it'll be like that for most of our now-popular cultural artifacts. How many newspaper stories from the 1700s have you read? The culture of those people died with them, and so too will it be with us. Nobody is going to grow up to the Mighty Morphin Power Rangers anymore. Nobody is going to watch The Andy Griffith Show or see Last Action Hero. Even if it happens on a rare occasion, those numbers will pale in comparison to the number of Fortnite players. Or whatever's popular in the coming decades. Our world is ephemeral and dies with us. We should enjoy our media while it is relevant to us, because that's what it's good for. Telling stories in a framework that speaks to us. In the future, it'll be a relic. An artifact of a time long ago, whose people are all dead, and whose lessons may need to come with a history book. Apart from students of anthropology, the vast majority of future people will probably find our cultural works to be boring, irrelevant, and unworthy of their attention. |
Your comment about “1700’s newspapers” reminded me of The Past Times podcast, where comedians read random newspapers from across American history. The episodes I’ve listened to were delightful, and they covered mundane news in mundane places.
“O brother, where art thou” is one of my favorite movies. It’s a retelling of The Odyssey (a literally prehistoric tale) set in Depression-era Mississippi, made in the early 2000’s.
The specific question of editing out these production artifacts doesn’t rile me either way, though. I didn’t see the original mistake, and I won’t notice the fix either.
I’ll also agree that just as no one steps in the same river twice, how the past is viewed and interpreted changes over time. What is valued or not also changes. 90% of everything is still crap. And quite a bit of the interest in the past is reflected in remixes or retellings for modern audiences.
Still, people also read Beowulf or Chaucer in the original or in modern translation. Others will enjoy both Jane Austen and Bridgerton. People will listen to Beethoven and Jon Batiste. Sure, not all those things are for everyone, but neither are modern music genres, sports entertainment, or most TV shows.