Hacker News new | ask | show | jobs
by jrowen 452 days ago
Yeah that's fair, you guys are talking about the experience of the DJ. I'm talking about the experience of the listener. In the chaotic environment of a club or festival, there are too many ways that playing vinyl on turntables can be a source of moderate to severe sound quality degradation, often through no major fault of anyone involved.

As far as the DJ goes, in terms of "normal" gigs (that aren't in the by now incredibly niche turntablism world), where your primary goal is to entertain some people with good music mixed well, you're going to be able to do anything you can do on turntables on CDJs, and a lot more, and more reliably. Just in terms of the practical aspects and realities of putting on a good show in 2025, turntables are completely outclassed, and you're putting yourself at a huge disadvantage by trying to make them work. But a certain set of people will give you respect.

1 comments

How does discussing the gear used by a dj get twisted into the perspective of the listener?

I also love how standing there in the Jesus pose or chicken heading with a raised fist is entertaining for the crowd. If you need the DJ to be a conductor to show you the drop, then you’re not a good music listener.

Sure, a vinyl DJ isn’t going to be jumping up and down next to the decks (unless the tables have been suspended from the ceiling), but watching a turtabilist run multiple decks while swapping dub plates will always be much more impressive and entertaining to me than someone tapping out a beat on a 12”x12” box with buttons.

Only a very small subsection of the crowd will care about how the DJing is getting done. What actually matters is music selection, mixing style, energy building etc. 99% of people don't give a shit about vinyl mastery.