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by iainctduncan
482 days ago
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This is exactly my point. The idea that generating music is the sum total of all the cognition that goes on in real time is totally off base. Can we make crappy simulacrums of recorded music? sure. Can we make a program that could: work the physical instrument, react in milliseconds to other players, create new work off input it's never heard before, react to things in the room, and do a myriad of other things a performer does on stage in real time? Not even remotely close. THAT is what would be required to call it AGI – thinking (ALL the thinking) on par with a highly trained human. Pretending anything else is AGI is nonsense. Is it impressive? sure. Frighteningly so even. But it's not AGI and the claims that it is are pure huckersterism. They just round the term down to whatever the hell is convenient for the pitch. |
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Is it? I wasn’t aware of “playing a physical instrument on stage with millisecond response times” as a criterion. I’m also confused by the implication that professional composers aren’t using intelligence in their work.
You’re talking about what is sometimes called “superhuman AGI”, human level performance in all things. But AGI includes reaching human levels of performance across a range of cognitive tasks, not ALL cognitive tasks.
If someone claimed they had invented AGI because amongst other things, it could churn out a fresh, original, good composition the day after hearing new input - I think it would be fair to argue that is human level performance in composition.
Defining fresh, good, original is what makes it composition. Not whether it was done in real time; that’s just mechanics.
You can conceivably build something that plays live on stage, responding to other players, creating a “new work”, using super fast detection and probabilistic functions without any intelligence at all.