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by alexhornbake
509 days ago
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As you’ve pointed out High SPL isn’t what breaks ribbons, it’s high SPL at low frequencies (ie wind/air moving frequencies, like those produced from a slamming wooden case lid. Kick drums and bass guitar amps might not be a good match for a ribbon, but speech (with a pop filter) is fine. Modern mics like those from Royer Labs can handle high SPL (cranked 100w guitar amp). There are a few reasons why professionals still like ribbons for certain tasks: unlike condensers and dynamics, the resonant frequency of the ribbon is typically very low (20Hz), so you don’t get any peaks or artifacts when the source audio vibrates at the resonant frequency of the mic. Also, if you like the sound of your expensive mic preamplifier, the low output ribbon mics let you add gain/dirt/harmonic distortion which to some is pleasing to the ear. Love that the op built his own, that’s really awesome. |
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