[Asooka]

Oh there definitely is some MIDI device out there that will get a buffer overrun from a particular set of just regular note inputs. Maybe 11 notes at once due to the programmer thinking "humans have only 10 fingers, a static array of 10 elements is enough to hold all notes currently playing".

[b3orn]

More notes or voices playing than the player has fingers is quite common, a note doesn't stop just because you let go of the key. Sometimes you want it to ring out so most synthesizers handle that case. Some even let you configure the behaviour, for example you could reallocate the longest playing note or the closest note.

[bluGill]

Many synthesizers have limits on how many sounds they can support. Midi was originally started because 1970's (analog) synthesizers could only produce one sound and so they wanted a way to have several synthesizers connected together. Before midi was finished synthesizers (now digital) could play more than one note. Though hardware limitations (not just software) didn't support infinite notes and so until around 2000 that synthesizers could generally play enough notes that players wouldn't run out in the real world.

[officeplant]

The companies that came together to make MIDI all had analog polysynths capable of true polyphony before the MIDI standard was even finished. (distinct osc/amp/filter outputs per note and not just paraphonic synths that shared AMP/Filter circuits between OSCs)

MIDI was more about unifying the entire studio of synths, samplers, drum machines, and recording equipment. And creating interoperability between various manufacturers of music equipment. It was a solution to the multiple control voltage standards that predated it and made it troublesome to tie equipment together.

[Earw0rm]

Yep, and not forgetting that serial ports on a computer were (at the time) expensive, and the sounds most synths were capable of were.. kind of simple. So there was the motivation for stacking multiple synths up to produce bigger/richer sound, doing keyboard splits (possible on some hardware of the time but not most), as well as driving many devices from a single port.

Multi timbral synths (different sounds addressable per MIDI channel) were a later thing too, analog polysynths could play more than one voice, but very few could play more than maybe two different _sounds_ at once.

[bluGill]

Right but the conversations started before then.

[kevin_thibedeau]

Polyphonic analog synths existed before MIDI. Notably, the Novachord from the late 30s. For the modern era, analog 2-8 note polyphony was available by the late 70s.

[dhosek]

It was well before 2000. Most of my gear is 1990s vintage and while some has limited polyphony, most has unlimited polyphony and doesn‘t do note stealing.

[dkdbejwi383]

You'd still get a note off event, which would then trigger the release part of the envelope or whatever.

[dhosek]

Sustain pedal. Not sure how it’s implemented in midi, but that’s one way to have more than ten notes playing at once. (There’s also four-hand duets and the rare but not non-existent play two adjacent white keys with one finger technique.)

[b3orn]

Yeah, but ideally you'd check if the note is actually playing as part of handling note off.