> Artists pretend their tickets are affordable, Ticketmaster pretends they're fighting scalpers while giving kickbacks to artists, and fans pretend they won't pay whatever it takes to get in.
>fans pretend they won't pay whatever it takes to get in.
Uh, no, I've abandoned multiple carts after seeing the final ticket price with hidden fees is 175% the advertised price. Those shows didn't end up selling out, either, they just left revenue sitting on the table. Entire live entertainment industry would be double digit % larger if the ticketing experience wasn't uniquely dogshit
It's generally like that for any vacation really: if you're an American, it's probably cheaper to book a flight and go to Europe for 2 weeks than to spend that time in America, unless you just spend your vacation time sitting at home. Hotels and restaurants are all absurdly overpriced in America these days, compared to Europe, so unless your vacation time is extremely short, the flight cost will be more than compensated for after a few days.
Oh me too, I've abandoned several ticket purchases just because the entire experience was so unpleasant and required signing up for extra layers of crap along the way.
Joking aside, for every you (or two you's), there's another person willing to shell out. Ticketmaster doesn't really care whether a venue is at 30% or 100% capacity so long as the artists and venue are happy, and fans keep buying tickets at a sustainable clip. Hell, they likely prefer a lower attendance so staffing costs are lower.
This is a bit like skiing now: I've accepted it's just an activity for the addicted or the rich.
This fan broke the concert habit about 10 years ago when it really started getting out of hand; I’ve only been to local, relatively small venues since. $80-100 is my cutoff.
Uh, no, I've abandoned multiple carts after seeing the final ticket price with hidden fees is 175% the advertised price. Those shows didn't end up selling out, either, they just left revenue sitting on the table. Entire live entertainment industry would be double digit % larger if the ticketing experience wasn't uniquely dogshit