[heurist]

I rarely watch movies or read books twice anymore. There's too much content already. The challenge with purely human art at this point is that it will be silenced by the perpetual flood of half-assed generated work. There will be room in elite art circles for more, but at some point the generated stuff will be so ubiquitous (and even meaningful) that anyone without connections is going to have a tough time building an audience for their handcrafted work, unless it happens to be particularly controversial or 'difficult' to make. The demand for visual stimulus will be satisfied by hypertuned AI models. Generative AI is not there quite yet but there's no reason to think it won't be better than 90%+ of purely human content within a decade given the pace of development over the last few years.

[keiferski]

I don't buy this narrative at all. People like people and increasingly follow artists because of their personality and overall "brand." No one cares about generated AI art or its creator(s), because it's not interesting. It's also not sharable with other humans; see, for example, the frenzy around going to a Taylor Swift concert. The mass appeal and shared interest is part of the draw.

At best, you'll get something like a generic sitcom. The idea that "all visual stimulus will be satisfied by hypertuned AI models" doesn't line up with how people experience the arts, at all.

[heurist]

That may be the case today but kids are starting to grow up with this stuff as part of their lives, and I don't think we can anticipate the reaction as both they and the models grow in tandem. I think human creativity is much deeper than LLMs, but that is from my human perspective and I can't fully rule out that the LLMs may become better at it at some point in the future. I actually think they're already smarter and more creative than most people (though not more than the potential of any given human if they practiced/trained thoroughly).

[whilenot-dev]

I fully agree here. I want to be part of an audience, and as part of that audience I always look at the human development of the things to share - artifacts in the case of fine art, or experiences in the case of performative art. The artist will always be more important than their work to me.

I don't want to carry mechanical solutions labelled culture - deterministic enough, despite hallucinations - into the next generation that follows my own. It's an impressive advancement for automation, sure, but just not a value worth sharing as human development.

That being said, I think GenAI could be a valuable addition in any blueprint-/prototype-/wireframing phase. But, ironically, it positions itself in stark contrast to what I would consider my standards to contemporary brainstorming, considering the current Zeitgeist:

  - truthful to history and research (GenAI is marketing and propaganda)
  - aware of resources (GenAI is wasteful computing)
  - materialistic beyond mere capitalistic gains (GenAI produces short-lived digital data output and isn't really worth anything)