|
"maybe nobody will know how bad all the pianos are. And then we'll all have slightly worse pianos than we would otherwise have." But not really. Because if I truly cannot tell the difference between two objects or the way they sound, then they're the same to me, and I don't lose anything by listening to one over the other. If I could tell the difference, and it was important to me, then maybe I could do something about it. "The pinnacle of human attention cannot be directed at everything, everywhere, all at once. We have to focus our attention on a limited subset of arts and pursuits, where discernment will always be high, and settle everywhere else." This is exactly correct |
Trust me, as a former piano/harpsichord tuner, that the audience absolutely can tell the difference between a perfectly tuned instrument and one that is badly tuned. They just can't put their finger on what that difference is.
It's the same as when the viola section of an orchestra is out of tune or the horns drag (both very common problems for amateur symphonies). The overall effect is "muddier" and less "brilliant" than other performances, and you can tell as a listener, but very few people in the audience can say "the violas were flat in the adagio section."