| Personally, I don't think it has to hold up. At least not necessarily in the way that this is generally meant, i.e., a timeless classic that more or less transcends the historical context that produced it and, probably most importantly, does not require the audience to know or grasp that historical context to appreciate it (even if understanding the context would add to the appreciation.) However that doesn't mean it can be no less entertaining and interesting, just that it probably requires some context. This isn't an uncommon issue for popular media which, by definition, is a product of and for its time. Humor/comedy is especially notable for this. In my experience, very little comedy is truly timeless. However, relevance can of course resurge (and I would make a distinction from more cyclical trends as is seen in fashion, for example.) And thus I'd say Max Headroom was very much a product of its time and, aside from "ha-ha-old-tech!", you'd most likely need to have at least some knowledge of the social and political landscapes of the time to understand what and who it was satirizing. But also, sometimes—often?—it's just capitalizing on the cultural moment. |
Corporation creates advertisements with, uh, bad side effects, and their own employee calls them out on it. That seems, pretty modern.
A good chunk of it is horribly dated. but some parts seemed really fresh. I think I rewatched ~ 4 years ago.