Thanks for the clarification - I do not claim that artists don’t want to make a living. My point is that, too often, the “artists need to make a living too” narrative is used by the system that exploits artists.
Not parent poster, but I suspect the thesis can be rephrased like:
"Artists do want to make a living, however there's a nuance when it comes to achieving that. Finding enough solid supporters requires such a wide dispersal of their content that any 'anti-piracy' measures are almost always counterproductive, at least when it comes to the interests of artists as opposed to middlemen."