Granted, I live in NYC, which probably has one of the most vibrant local music scenes in the country. But it's not like nowhere else has local bands that play at small venues.
It feels like a lot of the people that complain about ticketmaster's monopoly have never branched out from Billboard chart artists.
Even the most 'hole in the wall' places around here have deals with LN/TM, short of a bar-band or niche-local joint.
One of the more 'fun' ways that LN/TM did shenanigans at the past I observed: Metal shows at smaller places in the Detroit area like Harpo's (famous place but known for the sketch area) or Token Lounge (literally a bar with a dance floor and stage, pretty fun tho) you'd have one of the local small/startup bands selling tickets, often -below- cost at the box office.
Why? If they sold enough tickets, they got to play as an opener. Yes some scammers would try to fake this, but I never saw anyone actually get 'taken'. And yes I'd buy them if I didn't already have them to help the locals out.
That said, the concerts at those smaller venues, despite being TM/LN, were in the 20-30 dollar range after fees. Not 'top billboard' type stuff per se but Children of Bodom, Lacuna Coil, and other 'popular but niche' bands in the 2005-2007 timeframe.
lol, people and bands have been complaining about it for 30 years and it’s only gotten worse. Yes, you could skip concerts for the rest of your life, I suppose, to make a point. But it’s not going to fix anything.
Complaining yes, but how many people are actually putting their foot down? As for bands, they may actually be profiting from this scheme where ticketmaster ensures higher prices while taking the blame. If they really cared enough they could chose not to deal with Ticketmaster. Sure, that would limit their choices in venues which could mean lower potential for profit. Probably not going to be a real issue for the the more popular groups.
And yes, if there are no concerts with acceptable terms (and that's really a hypothetical if) then don't go to any for the rest of your life. You make it sound like this is some kind of required part of the human experience when it is just one of many possible ways to spend your time. Even if you are really into music, concerts are just one way to experience it - and when it comes to audio quality, a fairly crappy one.
It's possible you can put your foot down, lots of venues will sell you paper tickets at the box office. It's inconvenient but they also don't charge TM fees sooo. It's what I do since they open the box office during any of their events. Just get tickets for the next few shows right there.
> Even if you are really into music, concerts are just one way to experience it - and when it comes to audio quality, a fairly crappy one.
This fundamentally misunderstands why people go to see live music and honestly maybe what people enjoy about music entirely.
The bands at the top are absolutely not profiting, they’re losing money over it. Instead of a healthy ecosystem of promoters willing to pay them market rates, they’re dealing with a monopsony that depresses earnings. They HAVE to go through TicketMaster venues, because TM has locked up 85% of large ones, which means they have to accept whatever fee the promoter (LiveNation, same company) is willing to pay them. That’s part of why AEG sued them, they are a giant international promoter who is effectively boxed out of the American market by TMs stranglehold on venues and vertical integration.
Venue owners are profiting. LN/TM can pay them a lot for exclusive rights thanks to their monopoly-inflated profits.
Granted, I live in NYC, which probably has one of the most vibrant local music scenes in the country. But it's not like nowhere else has local bands that play at small venues.
It feels like a lot of the people that complain about ticketmaster's monopoly have never branched out from Billboard chart artists.