See "Content"; I am looking forward to having it fire all my 1984 cylinders, Julia/Jura getting the manic pixie treatment they deserve etc.
EDIT:I accept that it might hard to take Jura, as a concept, much further than very good Scotch.
(Professional fanfic)
BtW this is the KM who wrote the preface to his buddy Iain Banks' poetry release. So on the one hand Banks inspired (right arrow) Elon and on the other end in KM's stories it's the postSoviets(+Linux) who dominate future space exploration, due to socialist virtu (left arrow)
Hmmm... haven't thought about those in a long time, even though I was looking at the "White Mountains" earlier today.
Seems as if EAB would've agreed his frame story could've been handled a bit better[0], but as he did go to a sanatorium once prescribed, I guess my imputation of paranoia driving choice of island over institution had been apophenic[1]. Maybe he was just into it because all the rich kids at St Cyprian's used to summer (ca.1915?) in exotic[2] Scotland?
[1] when did Sonia start working with IRD, anyway?
[2] two bits of information (decent bits, so we shan't mention Oliver Mellors!) as to what constituted "exotic" in postwar Britain: (a) Spaghetti Trees [1957], and (b) the first James Bond [1953] is set all the way across the Channel in "Royale-les-Eaux".
By no means contraindicating your (harmless) micro-apophenia, but "Orwell >>> Galois >>> we" in terms of gambling nous, might explain the difficulty of modelling their emotional states or purchases (ie of insurance for theories of uncertain import)