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by regularfry
743 days ago
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This has to be the core of it. If the underlying question is "was this alignment intentional" then you could start by asking whether there are extant maps with better cathedral alignment than Mercator. These places are old. Skellig Michael goes back past 823AD, Mont-Saint-Michel is about the same sort of age, and the Sanctuary of Monte Sant'Angelo goes back to 490AD(ish). San Michele Arcangelo is on top of a pre-Christian pagan temple. Stella Maris is on an Old Testament Biblical site. None of them is less than a thousand years old. The bar for finding a map that happens to align, and then explaining how it was made, is not a low one. There is a projection that might fit, though: Plate Carrée is definitely old enough, and a brief visual sanity check doesn't make it look totally off. |
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Virtually everything in church design is meant to communicate truths of the faith to illiterate laypeople. That's part of why pictures feature so prominently. They're telling stories to people who can't read. The sense of space, and the drawing of the attention upward, they're also communicating to people on purpose.
If the argument is that the sites were not intentionally built in a line, that it just happened this way, that there just happen to be seven prominent hills with churches built on them that refer to St. Michael (or 6 and Mt. Carmel, which is associated with him in another way), I guess that's a different conversation, but I thought the idea here was that these were lined up somehow on purpose, at least for the latter built ones, and were intentionally built to be "in a line" by some meaning of the term.