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by AndrewKemendo 755 days ago
My takeaway is that as with many of the artists, they are reacting to the philosophical no mans land that cheap computer reproduction is putting them into...From TFA:

>As I’m contemplating this Cronenberg-like transformation of the image, I can’t help to be struck by the triviality of my own work. There’s something confronting in facing a computational doppelgänger, something akin to the uncanny valley. I’m surprised at how much this affects me, even though my whole schtick is to be reflexive and critical about style, what surprises me the most is that even though the output if “objectively” a failure1, I see myself in it. But maybe what I see in the generation, what I find actually disturbing, is the part of my work that has already been objectified and commodified, the parts of my style I spent years making digestible for clients, consistent for social media, and reproducible for easy production.

This feeling is not present in artists who are not commercial artists or otherwise produce VOLUMES of similar work - because it is functionally impossible

Why?

Again, as with picasso et al... they are performing the work of an artist. Namely it is a lifetime oeuvre - not a single period - that defines an artist.

This is my point, and you can disagree, most commercial artists are not producing art, they are designing propaganda for corporations. It takes artistic skill, but it's not what I would consider relevant for the author

The author sits at the intersection of capitalism and art - that you can produce designs for money repeatedly and so predictably as to be identically imitated is proof enough for me

Nobody can reproduce or copy my art because it's PHYSICAL and hanging on my (and many others' including our own jacquesm) wall. They can try, but forgeries are very hard to do.

1 comments

> This is my point, and you can disagree, most commercial artists are not producing art, they are designing propaganda for corporations.

Tbf I think the artists most threatened are the ones doing fetish or furry commissions for individual clients paying $100-$300.

Corporations need to be able to make revisions to a style or have artists advise them on where to make changes. AI isn't good at that. (Getting better though.)