| Outlier here (musician, spend hours per week trying to find new music) - some thoughts: - The search space for music is really large and noisy. Most of the stuff out there isn’t very good, and the stuff that is good isn’t always discoverable with a single strategy
- The best strategies almost always exploit human connections Some strategies I use: - Spatial locality, who is performing with or near artists that I like?
- Publishing locality, who is on the same label as an artist that I like?
- Artist locality, what other projects has an artist I like contributed to?
- Fan locality, what other artists does a fan of an artist that I like enjoy? —— Note that none of these strategies are as effective as “relinquish control”. For example, there is a freeform radio station near me that I listen to all day at work. I have a rule that I won’t turn the radio off in the middle of a DJs set, even if I don’t like a song. This has helped me “break through” to interesting artists I wouldn’t have discovered otherwise. To the article’s question, I think the main factor here doesn’t have much to do with music. Cultural production has exploded, and it’s really hard to navigate any cultural space in a non-obsessive way. I thought it was interesting that the effect of “generational preference for music released when teenaged” seemed to wane around Gen Z. I wonder if this is just exhaustion, perhaps with tendencies towards pastiche as a consequence. |
Is this within a narrow genre?