[nicoschuele]

I think that you need to be explained the situation slowly with simple words? How are composers and musicians supposed to make a living if our clients choose an AI tool that can deliver okay-ish music in a few seconds at a fraction of the costs? How can we devote more time to our craft if the craft stops paying the bills? Especially when this AI tool has been trained on copyrighted data? There are examples and proofs surfacing at the moment that the Beatles catalog or Edith Piaf for example were used for the training. Udio is deleting these tracks as fast as they can but it's already in the hands of lawyers. It seems that the battle for human-made art is not completely lost just yet...