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by missjellyfish
834 days ago
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Copyright in Europe fundamentally does not work like Copyright in US. More precisely, the law does not govern the monetary gains possible from copying but rather the author's artistical expression in the work. Which is kind of moot regarding source code, but, it makes for an important decision: author's rights are created automatically and you cannot transfer them under any circumstances whatsoever. Per default, the law states that the author retains all rights. They can license it, e.g. to their employer, exclusively; The employer can then sublicense that. However what licenses are possible is exhaustively defined in the law; on an abstract basis at least (e.g. using, creating derivative works, ...). It has been not exactly clear if conditions evoked on a license still have their roots in these licensable acts, or if they are based on contract law - where literally anything goes as long as it's not against the law or immoral. Both can be enforced. However, I'd argue that it is good that it was decided that this is a copyright law matter, because this gives authors _much_ more protection than contract law, where all circumstances need to be evaluated for each single case and rulings might as well contradict each other. Not a lawyer yet, though. |
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Copyright law may give the authors more power; but unfortunately, experience teaches us that there's usually not much incentive for the authors to enforce their rights. (The case in TFA is an exception, since the author profits directly from dual-licensing.).
For this reason, the SFC has been trying to get the courts to also see it as a contract; and specifically, one in which all other possible users of the software are beneficiaries. This gives random third-parties standing to sue for damages. If it works, it means that the SFC (for example) could go around suing companies which violate the GPL without needing involvement from the original copyright holders.
https://writing.kemitchell.com/2021/10/19/SFC-v-Vizio-Compla...