|
|
|
|
|
by macrolocal
846 days ago
|
|
You said I was using tautologies as straw men, which is incoherent and suggests you’re not arguing in good faith. Anyhow, of course entropy correlates to music quality; maximum entropy music is white noise! I’ve even had luck finding interesting jazz musicians from the distribution of key signatures they use—- anything more entropic than the Real Book is a great indicator. Similarly, network entropy makes it easier to identify musicians with a flexible arsenal of riffs. You could adapt it to chord progressions to find unusual reharmonizations in live jazz to study and practice. It could be a helpful regularizer for neural network music generation. Entropic methods are among the most powerful in statistics. |
|
> You did use tautologies...
You seem to think calling something a tautology is a way to dismiss it. Almost everything in mathematics is a tautology-- most of what I say is a tautology. Any rigorous argument is tautological; it's the aspiration of literally all formal reasoning.
> Lots of uninteresting and bad music is also entropic.
And here, you seem to think someone is claiming that entropy is equivalent to music quality, not just a useful correlate or eg. indicator of something that might be more likely to show up in good music than bad music. I don't know of anyone making that claim; all the examples I gave require mild correlation.