The image of another tower used in the article is pretty confusing. This <https://apnews.com/article/radio-station-tower-stolen-am-fm-...> one apparently includes the real one, which I think makes the theft appear more within the realms of possibility.
One of my earliest memories of something in the newspapers was, as a teenager, finding out a picture in The Guardian was of any entirely different conflict, more than a decade earlier, albeit in the same country.
The media did not really care much about accuracy then, and its even worse now.
This is more and more a problem, not just with images. Even most of the higher quality (better researched) Youtube channels are fast and loose about using irrelevant stock footage to go along with their narration. Of course the channels with AI voice-over are universally terrible at this. I know a lot of this is content creators have limited access to good visual content. A naval historiographer I follow will show, for instance, ship photos or archival video that is not exactly the ship or event he is describing. He's probably a solo creator and I'm sure constrained by archival access, and frankly time.
One notable exception I have found is this channel https://www.youtube.com/@wildwestfaces The narration is often of first person memoirs of historic events and the images are relevant and sync well with the narration.
>> A naval historiographer I follow will show, for instance, ship photos or archival video that is not exactly the ship or event he is describing.
It isn't about money or resources. Even the biggest budget Hollywood productions regularly pass off incorrect ships in full understanding that most viewers cannot tell a sloop from a brig. Sometimes it is about cost or practicality, but more often it is about which ship comports with audience expectations.
Which, in my books, invalidates either as a learning resource.
I mean, as a viewer, if I spot a naval historiographer routinely using wrong footage, then how certain can I be they're not also playing fast and loose with what they're saying? After all, the only piece of clear evidence that I have points towards them not caring.
As for what "comports with audience expectations", maybe this is an extreme position, but to me, intentionally choosing something incorrect but more recognizable is gaslighting at scale - it reinforces the misconception in those already exposed, and introduces it to those new (usually young) to a topic.
Like in Master and Commander when they swapped out the American ship for a french ship as american audiances dont like seeing american ships as the bad guys.
The real Master and Commander story, https://www.amazon.com/Journal-Cruise-CLASSICS-NAVAL-LITERAT..., is from the American perspective and is way better than the fictional one. To do it justice it would have to be done as a mini-series because it would be too long for a movie.
Drachinifel is pretty darned knowledgeable. I imagine its not that easy to get enough footage of some American WWII destroyer that is NOT a Fletcher class, (as a made up example), to fill out an entire 45 minute narration. And there's a shit ton of work that goes into a video that long for a solo creator.
Now, the abysmal nature of name brand corporate history videos is another matter.
acoup typically shows whatever image he can, and then states how close it is to the actual thing he was trying to talk about (and where it deviates) in roughly a single sentence — I’m not sure it’s actually that hard to fit in. In a video format, I’d probably expect it as a text-disclaimer on the image for anyone who cared.
Not doing so is exactly the same as the Hollywood thing; focusing on the narrative rather than the actual teaching, which seems to me psychotic behavior for anything purporting to teach. If you’re misrepresenting the image of the object for narrative convenience, the immediate question is how much of the other material has been butchered for that same convenience? The priorities are out of order.
It’s a violation of viewer trust, and it’s only acceptable in the sense that the viewer often doesn’t know they’ve been tricked… because they were viewing it for the precise reason that they don’t have the knowledge to differentiate between a truth and a lie on that subject
A single example of one inaccuracy many years ago is not evidence for (at least as far as the Guardian is concerned): "The media did not really care much about accuracy then, and its even worse now."
To say that, you would also need to know the actual accuracy rate of media over time. I don't think anyone really knows that without perhaps having done a PhD thesis on the topic.
They will correct things like that when pointed out. On the other hand, honest mistakes of the wrong photo is not that uncommon. In this case, I think the resource was looking for just a stock photo. I did not read the article and immediately think, "Oh yeah, random tower in the middle of nowhere USA, this is for sure a picture of that tower". Perhaps just me..
Regardless, on wrong image, I've certainly noted that a few times - for example reading protest signs that are clearly for a different time/issue than what is being documented (EG: protests in Russia in like 2010s and the news was running images from things that happened 15 & 20 years earlier).
Articles should not have images that are misleading or confusing, but I do understand why most news articles have something when it comes to imagery. Most news website designs are optimized for at least one image per article, and social media sharing almost requires it if you expect any kind of engagement at all. But it’s not a problem the media world should have to solve at the expense of the reader experience. (Disclosure: I’m a journalist and digital editor who spends way more time than I’d like trying to pick the least harmful stock or file image in the cases where we just don’t have a good image for a story.)
Maybe a practical compromise is to use whatever image you can find but actually explain in the caption that sausage making process in what the image is and why it was chosen. For example, recently on YouTube a video had footage of go carts but they used an F1 analogy and explained that F1 footage is hard to come by and expensive.
I think this is hypercritical. If there is a story about some dolphin, if there is a picture of 'any' dolphin to give context, is that then the "wrong one" and suddenly a ding against the newspapers accuracy worthy of running a correct? Particularly when there is a context line stating "this is just a random dolphin to give you an image of a dolphin."
> Better to use a wrong one apparently.
Humans are very visual creatures - in some ways - yes. Even conceding that the picture is the "wrong" one, which again I think is a hypercritical judgment.
this captures a meta-observation very well.. a "PhD" worth of knowledge is needed to discern, but publishing a stock photo for a news item is incentivized to be a moment's decision. Compare and contrast to "any idiot can ask hard questions that take days to reply correctly to" .. there is a power asymmetry at work in the public eye. Guideropes and economic assumptions disappearing into a sand-storm of digital information.
basically, not looking good for the future of reliable media
I think a PhD study would be needed to know accuracy rates of media over time across many outlets before such a generalization can be made that "media accuracy has gotten worse".
How does one even measure accuracy? Number of corrections might indicate it, but who is to say that all of media is forthcoming with corrections. How does one control for digital vs non-digital distributions? Is the rate of accuracy different per medium, and how would that roll-up for the overall organization?
I think the meta-observation still holds. The response to "media organizations are all inaccurate and this has gotten worse!" - is asymmetric compared to the effort to make the statement. Happily hacker news has a culture where statements are assumed to be opinions (unless otherwise presented with a citation or somethign), and opinions are generally not held to be worth much in this discourse.
> In this case, I think the resource was looking for just a stock photo. I did not read the article and immediately think, "Oh yeah, random tower in the middle of nowhere USA, this is for sure a picture of that tower". Perhaps just me..
Yeah, I'd assume it's just you. My default assumption for a photo next to a piece of text is that the two are directly related, in particular the photo being the subject of the text.
Okay, so maybe they wanted to have a photo, but there's no way to frame this that makes the journalist or the outlet look good. Intentionally or not, choosing a wrong photo is still screwing with readers' perception of reality.
I'm skeptical it would be just me given there is some prominent text right below the image that says "not the radio tower".
> Okay, so maybe they wanted to have a photo, but there's no way to frame this that makes the journalist or the outlet look good. Intentionally or not, choosing a wrong photo is still screwing with readers' perception of reality.
Doing a search for how other news websites reported this story, only the CNN used the "correct" image. A few others used different images without even giving context it was a different tower. A few of the other ones are certainly more egregious, not labelled at all..
> Okay, so maybe they wanted to have a photo, but there's no way to frame this that makes the journalist or the outlet look good. Intentionally or not, choosing a wrong photo is still screwing with readers' perception of reality.
Choosing a "wrong" photo that is CLEARLY labelled, I don't agree with this opinion. I find that hypercritical. Seemingly we simply disagree.
The Guardian never publishes a link or an academic reference to the source of scientific articles it pretends to quote.
As you say, it also waits until a reader notices factual mistakes, the other ones just slip through. Last point, you don’t have any backing to conclude that their mistakes are honest, and not the result of intent of bias. Given their bias is always in the same direction, I do not believe for a second that The Guardian isn’t putting its thumb on the scale when they only reproduce the part of scientific studies that goes in their editorial direction, conveniently leaving the rest unsaid.
> When Attwood first identified EoE in the late 1980s, it was vanishingly rare, with estimated rates of less than 10 per 100,000 people. But just like food allergies, which are also mediated by eosinophils, EoE has become increasingly common in all age groups, from young children to the over-70s, for reasons we do not fully understand.
> Estimates from the British Society of Gastroenterology suggest that it now affects approximately 63 in 100,000 people, which Attwood says is sufficient to make it technically “a common disease”.
> As you say, it also waits until a reader notices factual mistakes, the other ones just slip through.
I don't believe I said that. My impression is that they certainly do pro-actively correct mistakes and do not rely on just readership. At the very least, the 'corrections' section is discoverable from their home page. I can't find the corrections part of some other news websites.
Please provide evidence that the Guardian does not do any of their own corrections.
> Last point, you don’t have any backing to conclude that their mistakes are honest, and not the result of intent of bias.
I don't think you have any backing for that either. Though, what backing would anyone need for any kind of slant for "we published a generic picture of a radio tower" (with clear context note on the image) - how is that a slant due to bias?
> I do not believe for a second that The Guardian isn’t putting its thumb on the scale when they only reproduce the part of scientific studies that goes in their editorial direction, conveniently leaving the rest unsaid.
I would ask you please provide backing for this assertion/opinion. (It's going to be difficult to determine whether it's your bias in reading something to think an extraneous assertion is an omission compared to something you think that is related but is either unrelated or incorrect. But, if you have a good resource that has done the systematic research, and relies on reproducible science, that would be an interesting read)
One last response.. I think we should take a step back.
A clearly labelled image of a radio tower for a sensationalist story that a radio tower in Alabama was stolen, that.. that clearly labelled image is evidence of "left wing bias" and the "the guardian... putting its thumb on the scale." I don't think this is the story to choose for that particular hill to die on.
Why is that infuriating? It’s accurate, acknowledges the suboptimal photo choice (or availability), and has some humor. As an editor, given this as your only photo choice, what caption would you write?
A picture is worth a thousand words. 200 feet tall and how thick are the bars? How many? Could I do it with a hacksaw or would I need a more intense torch? I want to visualize perpetrating the crime.
Yes, and what the wrong photo does is fuck with your sense of scale entirely. The included tower is more of an industrial installation; the real tower is more like something a couple drunk metal thieves could salvage in an evening.
How and where would you source it from? The tower is gone, there's likely no public domain images of it, no stock images of it, so where do you get a picture of it?
See, that'd be my job as a photo editor. To know the answer. That's the job. That's what makes it a real job when actually done right. Any high school age intern can find a picture of a random radio tower.
If you can't meet that standard, don't run a photo, or don't run the story. The world won't come to a standstill because a partisan rag from a provincial backwater didn't run a filler item about a wacky heist halfway across the world.
Sure, for high profile things. This is the daily news and a mild curiosity which is hardly worth the resources. Show a picture of a similar model tower, annotate it as such, and I have now have a sense of the difficulty in cutting it down.