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by denton-scratch
910 days ago
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I used to work as a computer programmer until I retired. Nearly always, my work was part of a collaborative effort, and latterly didn't include any copyright claim. My income was never impacted by unauthorized copying. Until the 80s, there was no copyright on software, and yet even then people made a living programming. Craftsmen don't claim copyright on their artifacts. Furniture designs were widely copied; but Chippendale did alright for himself. Gardeners at stately homes didn't rely on copyright. Vergil, Plato and Aristotle managed OK without copyright. People made a living composing music, songs and poetry before the idea of copyright was invented. Truck-drivers make a living; driving a truck is hardly a performance art. Labourers and factory workers get by successfully. Accountants and legal advocates get rich without copyright. None of these trades amounts to "performance arts". |
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Also, craftsmen rely on the fact that the part of their work that can't be easily copied, the physical artifact they produce, is most of the value (plus they rely on trademark laws and design patents quite often). Similarly for gardeners. The ancient greek writers were again paid for performance, typically as teachers. Literature was once quite a performative act. And again, at that time, physical copies of writings were greatly valuable artifacts, not that much different from the value of the writing itself, since copying large texts was so hard.
Similarly, the work of drivers, labourers, factory workers, accountants is valuable in itself and very hard or impossible to copy (again, the physical world is the ultimate copyright protection). The output of lawyers is in fact sometimes copyrighted, but even when it's not, it's not applicable to others' cases, so copies of it are not valuable: no one is making a business that replaces lawyers by re-distributing affidavits.