[GeeJay]

Also, a full 80+ symphony orchestra is so spread out that the speed of sound is significant. Even with perfect visual conducting, as a player, I have to ignore that those guys on the other side of the stage always, always, are just... a... little... behind... I must instead stick with the conductor.

[noeontheend]

Sometimes they're just actually behind too! I'm a professional organist, and recently made my continuo debut with a pretty high level orchestra. I wanted to make a good impression, so at the rehearsal, my eyes were glued to the conductor, he gave a clear downbeat, I came in with him...and was at least half a second ahead of everyone else. I was eventually able to figure out how to adjust, but those first few entrances were rough.

After the rehearsal, I mentioned it to my boss, and he confirmed it's his experience with orchestras as well. They're somehow able to come in together but definitely behind what the conductor shows, while organists are used to staying exactly with the beat pattern. He said it's particularly annoying for things like the Saint-Saëns Organ Symphony, where the organ's supposed to come crashing in on a huge chord directly with the orchestra.

[AlbertCory]

I was in the audience at a big musical in SF, and I noticed that there were monitors on the side walls out in the house facing the stage. The monitors were showing the conductor.

There are other monitors out in the wings. Everyone has to watch the conductor, or they'll get behind.