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by chefandy
932 days ago
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Not a popular opinion around here, but generative AI has little overlap with the processes common to creating all sorts of art, but lots in common with commissioning creative work. When you commission art, you have a discussion with the artist— however long it needs to be to get your point across. That can be quite lengthy and involve many sketches, mood boards, etc for important pieces, or a couple of sentences for others— and there are usually iterations where things get modified based on your input. When I do visual design work, I build those two things into every contract I put together. Using generative AI uses almost exactly the same process as commissioning art — you're just commissioning it from a computer that will give you an amalgam of other people's art much more quickly than humans can produce it. That's fundamentally philosophically different than using a tool that will make it easier to put elements that you made into a piece exactly as you want them. Someone compositing with photoshop or doing layout with indesign or whatnot can't call themselves a paste-up person or a dark room photo editor, but they are still deliberately placing elements they made to look exactly like they want, from their own minds, into a piece that they create. They are creating art. I've seen few people using generative AI in my particular disciplines that even vaguely understand how many decisions that algorithm is making for them in that process. They just don't understand it enough to know what they don't know. That's the point, right? Nothing wrong with that, but it's distinct from creating art. It's not even bumper bowling— it's directing an amalgam of all bowlers and taking credit when it gets a strike. If you commissioned work from an artist, you wouldn't simply cross out that artist's name and add your own, would you? Art directors and editors who exercise precise control over their artist's output don't remove the artists name and add their own, do they? If there was an AI system that could competently perform surgery, no matter how much massaging that prompt needed, I wouldn't call myself a surgeon for using it, and it would a fundamentally philosophically different activity than a surgeon performing laproscopic survey, evergreen though they're assisted by a modern tool. |
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There are ways to use AI, or any tool we've yet made, like you're saying some people use e.g. photoshop. I'd be surprised if you've seen most people who own a copy of photoshop learn how the masking, convoluting, and effect layers work algorithmically as their path to learn how to create art with it. Most learn by seeing what can be done with it, mimicking that until they understand how to use it to do what they have in mind, then applying that process. Just as you can deliberately work with traditional tools to piece together and grow an image, you can do the same with generative and diffusion tools as well - their usage goes far beyond "make me painting" in the same way the usage of a brush goes far beyond being able to make the canvas brown instead of white. I don't need to know how the magic wand makes feathered selections of pixels to understand I can make it select sections of an image for me and I don't need to understand how an AI model knows what part of the image was the cats head to have it modify it. I'd also say the vast majority of people with a paintbrush or copy of photoshop have a clue how to make art like a professional artist would, that says nothing about whether one can do so with said tools. It is indeed much easier to create something that used to take a lot of effort, but that's not the right measures for whether something can be used in creation or whether something is good art rather a measure of whether something had any real thought or effort put into it.
I'm not quite sure what you mean about crossing names out, unless you mean what I described above where you say "make me painting" and act like you're a great artist because your tool made something appear instead of you creating something with it. If there is another meaning to what you mean hear it'd be interesting to hear precisely what you mean.
That is to say, there is more to whether doing meaningful creation is still possible than rushing to see whether a similar seeming end result can be created with the same tools in a less meaningful way as well. You wouldn't say Van Gogh's paintings were all meaningless fake art creations because an AI tool can output something which seems like them by simply asking it to so why is it this is the evidence there is no way to use an AI tool to truly "create" any kind of art at all?