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by gnulinux
931 days ago
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Luciano Berio's Sequenza aren't traditionally considered serialist (absolutely gorgeous and stunning set of compositions BTW). Although he certainly "sounds" serialist "as a style" the same way Elliot Carter is a "serialist" even though he claims he never used it as a "technique". I really like your point with respect to "Rite of Spring" vs his "Movements for Piano & Orchestra". But let's please note that he likely never attempted to invoke the same kind of vibe anyway, so I don't think it really proves anything. The reality is, composers used serialistic techniques for something other than what neoclassicists wanted to create. For a better comparison, compare Elliot Carter's late piano works with his first piano sonata, which he wanted to write in neoclassical style. You can see the same Carter hue (that's likely more similar to "Movements for Piano & Orchestra" than Stravinsky's "Violin Concerto") in both so it's a more direct comparison in my very humble opinion. With respect to: > why modern classical music tends to be rejected I find this claim that contemporary Western classical music is irrelevant wrong. I think its cultural force is significant. I wrote more about this in HN here [1] if you care to read. But in short, just because an artistic movement inspires artists and not the audience, it doesn't mean it won't indirectly impact the audience, since artists who will go and create mainstream art may be inspired by the innovators of their era. [1] https://news.ycombinator.com/item?id=37424409 |
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