|
|
|
|
|
by dfc
5185 days ago
|
|
"What good is a directional microphone and why would a headphone distinguish between voices and background noise?" Lacking any context there is no way to answer your question. Tools do not have any intrinsic value, a tool's value is derived from its application to a problem. It seems as if you are approaching headsets purely as a means of music reproduction. There are many applications of headsets where audio fidelity is not the only/primary concern. The reference to augmented reality in the first paragraph seems to imply that the author is concerned with more than just how crisp Jerry's guitar sounds at the beginning of Fire on the Mountain. Don't get me wrong I love crispy guitar solos but they are not the end all be all of headsets. For a really neat and demanding headset application take a look at the C4OPS headset system by Silynx[1]. The C4OPS and others like it are headset systems for combat communications. There are a lot of sounds in combat; some of the loud ones (gunshots/explosions) you would like to hear at a lower volume / with less fidelity and some quiet noises (teammate whisper/footsteps behind you) you would like to be more aware of. [1] http://sofrep.com/4246/act-of-valor-radio-comms-2/ |
|
I guess he might have been talking about headsets, although once again I'm not sure the tech is in need of an innovation boost from the hearing aide industry, it seems to progress just fine, even outside the realm of speciality gear for more efficiently killing people.