[Alex3917]

Haven't read them, but I'm guessing the reason there is no haha moment is because, quite literally, there is no moment-- explaining why the world is broken requires several hundred pages and only becomes apparent in light of the whole. Like a Woody Allen movie. It's funny but there is no point at which it's funny.

edit: So a few years ago I was attempting a startup with a cofounder who I really liked. Within about two months of starting his mom committed suicide, his high school gf died, and he came down with mono. True story. Is it funny? It's fucking hilarious. Why? Because people aren't supposed to be that unlucky. It shouldn't happen. It violates our beliefs about how the world is supposed to work.

[unalone]

Woody Allen isn't what I'm talking about. He's very specifically focused around punch lines. He's clever with them, he doesn't use them like many other people, but at the same time he is still very focused on actual funny reactions.

As you're arguing this you're changing your definition. You began by arguing that humor's objective and capable of measurement. Now you're saying that you can achieve it without ever having a singular funny moment. The problem is, your making that argument is countering your claim that there isn't any subjectivity to humor. You're splitting what humor is into several categories, and that invalidates the original claim. Plus, see the statement that I made before about the definition of humor: it doesn't just mean funny.

This is the problem we get into: while the English language can be said to be objective, it's only objective because words can mean many things at once. It's objective in a very complex way. And because of that, attempting to prove a point about objective humor like you did by citing that study is proving the point by ignoring everything but a very slim definition of a single word. That's not a good point to make, if you're losing out on the broader connotations of what humor is.

And your original point wasn't about humor. It was about interest. The two pertinent definitions: "The state of "wanting to know or learn about something or someone," and "The advantage or benefit of a person or group." You claim that fiction holds objective interest. That statement is false on both definitions. A person's want to know something is subjective. I find Ulysses a fascinating read because I think that Joyce's hypothesis that the human mind is in and of itself a heroic triumph is one that makes for incredible prose. You wouldn't think that. Therefore, you lack that subjective interest. Similarly, if it bestows an advantage to particular people (as the other definition goes), then it's not objective, because it happens differently for different people. So interest is subjective, same with insight and humor.

(As for this humor study: while I really do love the fact that science discovers more and more about the human mind, you can't cite a 30-year-old study and say that humor's been defined. Creating an objective study of humor is only valid if the result is a method of quantifying humor. And you can't quantify it by looking at reactions to already-formed comedy: you'd have to prove that it's possible to produce humor and predict the reaction ahead of time. So even if humor was only "funny" and not any of the other branching definitions, that study would prove a very slim aspect of humor's definition true and nothing else.)

[Alex3917]

"The problem is, your making that argument is countering your claim that there isn't any subjectivity to humor."

I'm not claiming there isn't any subjectivity to humor, I'm claiming that it is objective as well as subjective.

When I say that humor is objective, I mean there are several patterns underlying what can make something funny. (You yourself said you enjoy discovering new kinds of humor, and kinds of humor implies underlying patterns.) I believe that it is possible to discover these underlying patterns, and then make a determination as to whether a statement falls into one of these patterns or not. This can be done independently of whether or not a person exists who can see that the statement falls into one of these patterns.

But I also believe that humor is subjective, in terms of the feeling we get when we hear something funny. I don't believe that this can be quantified or measured-- when I say that humor is objective, I simply mean that a binary determination can be made as to whether or not a statement falls into some underlying bucket.

"And your original point wasn't about humor. It was about interest. The two pertinent definitions: 'The state of 'wanting to know or learn about something or someone," and 'The advantage or benefit of a person or group.'"

My belief is that the first dictionary definitions you list is a symptom of interest, but not what makes something interesting.

The Baillargeon paper I cited talks about how babies look longer at impossible events. For example, if you create an illusion whereby you drop a toy and it appears to fall through a table, the baby will look at that longer than if the toy lands on the table like its supposed to.

Interesting is very easy to define: Anything that violates our expectancy of how things are supposed to work. (Insight and humor are specific subsets of 'interesting'.) In practice you wouldn't describe something that was insightful or funny as interesting, for the same reason you wouldn't call a senator a congressman even though a senator is a congressman.

Anyway, it is this violation of expectancy that makes us want to know or learn something. In other words, when our expectancy is violated we naturally want to either find some new schema, or else amend our previous schema to make it more accurate.

Anything that violates our expectancy is interesting in an objective sense. And things that violate expectancy do generally hold our attention. But not always. The reason being that insightful writing is even more compelling than writing that is merely interesting, so it tends to steal our attention away.

[unalone]

When I say that humor is objective, I mean there are several patterns underlying what can make something funny. (You yourself said you enjoy discovering new kinds of humor, and kinds of humor implies underlying patterns.) I believe that it is possible to discover these underlying patterns, and then make a determination as to whether a statement falls into one of these patterns or not. This can be done independently of whether or not a person exists who can see that the statement falls into one of these patterns.

Okay, then. That makes sense. I don't know if from that you would be able to quantify humor like you mentioned before, but yes: there is rhyme and reason to it.

Anything that violates our expectancy is interesting in an objective sense. And things that violate expectancy do generally hold our attention. But not always. The reason being that insightful writing is even more compelling than writing that is merely interesting, so it tends to steal our attention away.

I still don't agree with that - I think that there's more to "insight and interest" than just declaring objective tags to things. I have easily learned more from reading fiction than I have from reading nonfiction. But I see where you're coming from.

Now I have to go and upvote this whole discussion. This was one of the best I've had on this site. Thanks a ton.

[Alex3917]

"I think that there's more to 'insight and interest' than just declaring objective tags to things."

What makes something insightful is a whole other discussion, which probably it would be best not to go into here lest pg shit himself when he checks his threads page.

"Now I have to go and upvote this whole discussion. This was one of the best I've had on this site."

Same on both counts. Thanks. Discussions like this help immensely to strengthen my writing, in terms of having someone to try to break my ideas and force me to express things with more clarity and precision.