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by ye-olde-sysrq
988 days ago
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I've posted something to this effect before but I'll post it again. I'm terrified someone is going to enshittify bandcamp. I used to be a huge what fan, primarily for discovery. Never would've known I liked atmospheric black metal if not for them. When they closed, I didn't really have enough "in" in the scene to know where other refugees went, so I just shopped around for anywhere else that would let me get "real" (in the what sense of real - decent encodes from raw source material that have the full spectrum and aren't just FLAC encodes of "high quality" mp3's). I don't pretend to be able to hear the difference, but I like it for archival purposes. I have plexamp transcode the audio anyway when I'm on mobile. Turns out most people don't give a shit so most places don't offer flacs. Except bandcamp. Plus they pay artists fairly, which ended up being as important to me as the flacs as I came to support indie bands for whom selling on bandcamp was a huge lift. I like seeing CDs literally come from residential addresses in Sweden. I like supporting the random 1 dude making awesome metal out of his basement. |
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But now? Songtradr smells like an investment bank, one that looks at music as "content" or "IP" and wants to license the hell out of it -- and ultimately, own as much of the rights as possible.
They do not strike me as aligned with artist interests, or with the spirit of Bandcamp, which, admittedly, at this late date is mostly a fantasy.
Bandcamp represents the last, best refuge for artists in a world where most companies offer you "exposure," what else would you want, stop whining about being paid, etc. Bandcamp means payment. Which means livelihoods.
I don't trust SongTraitor.