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There's an imdb trivia item[0] about how you and Liz disagree about whether
it was a shush, but it's unsourced, so it was hard to put much stock in it.
This is a much more satisfying answer.
Liz thought I shushed her for a long time, but I didn't even know that until years later, at which point I apologized and explained what actually happened. So I guess there was disagreement in the sense that I didn't know she thought that, but we talked that through many years ago.I am aware of the IMDB factoid. Since they also had my bio wrong and gave me a Bacon number of two for years, I have generally just concluded IMDB doesn't care about having accurate data, and never felt a need to correct it. How do you feel about the movie looking back? I notice on your website that
you recommend people watch it "if [they]’re feeling masochistic." Is it just
the awkwardness of being the focus of a film at that age or were there
things you disliked about how it came out?
On a personal level, there's a lot I dislike. There was a lot of pressure on us to have reality-TV-show-like conflicts, which we mostly just didn't have. As a result, I end up being the antagonist in quite a few scenes (the building jump experiment is the main one), where it looks like I'm a bit of an asshole due to how things got edited together. So, normal reality TV show stuff.(Me being awkward and arrogant also does play into it, but, like everyone else, I've grown a lot since then. Seeing how far I've come is at worst a reminder not to let myself be like that again, but usually just ends up making me feel happy I've been able to learn from my mistakes and grow. I can't say it bothers me.) I also just kind of feel like it's a lousy movie. The soundtrack was literally written on the way to the recording studio, and you can tell. The interviews are usually not asking great questions, as much as rehashing Joel's and Paul's blogs via interviews. And there's the fact the movie is so close to being about reddit and Y Combinator right at their inception, but somehow, just...misses it. I should tone down the "masochistic" comment so it doesn't sound like I'm bitter or hate the film. I don't. I just don't really know it's worth a watch in 2023. What did you like/dislike about working at Fog Creek? How'd it change during your tenure?
I learned a lot about tech, I got incredible freedom to work how I wanted on what I wanted, I had great coworkers, and I really believed in and used all of our products. They all brought me joy. That was all good. And it wasn't a grindstone like some of my friends went through at thefacebook and Google, so I had time to genuinely enjoy my hobbies and be with friends.The dislikes are mostly just versions of me noting that working in an anarchistic environment is great only if you shout loudest and care more than the next person, but I will add that that company was so young in so many ways. We often were figuring out how to do things from base principles instead of hiring people who knew what they were doing, because we weren't sure if we knew how to tell that someone knew what they were doing. And when we started to hire our way out, we made Some Mistakes. So, things that fell out of those bits. |
>(Me being awkward and arrogant also does play into it, but, like everyone else, I've grown a lot since then. Seeing how far I've come is at worst a reminder not to let myself be like that again, but usually just ends up making me feel happy I've been able to learn from my mistakes and grow. I can't say it bothers me.)
Yeah, there were definitely lines where my first reaction was that the interns come across badly. But I was a year or two younger than you guys at the time, and I thought about how I'd probably sound if someone asked me to talk on camera about working on software. I'm thankful that nobody did.
>The soundtrack was literally written on the way to the recording studio, and you can tell.
Oh, yeah, that does explain the soundtrack.
While I was listening to it, I felt like it was written by someone who didn't know any programmers, but they were trying to write a song that would appeal to the geeky stereotype of a programmer.