|
|
|
|
|
by famahar
1027 days ago
|
|
With a disposable you'll need to be more intentional about how you want to capture moments. You only have 20 shots and no extra features to create the "best" shot. You begin to really value moments when you know that it'll make the cut for one of the 20. And you don't over think it. Just a quick snap is all you can do. Every shot matters but at the same time doesn't. |
|
One, that you cannot see the photo you just took; it makes you more careful with your framing (similarly to your point about only having so many shots), and further helps you stay connected to the scene, instead of "chimping" the shot you just took.
Two, that because there is a period of time elapsed between when you take the shots and when you get back the results after the film has been processed, there is an additional delight factor when you get your photos back, and it can help you see your shots in a different light.
It's an interesting phenomenon that a technically superior implementation don't always mean the artistically superior implementation. Of course, a working photographer (working in news or sports) will sensibly choose the technically superior implementation; but the dilettante has more options, and I encourage all of them to explore those options.