|
|
|
|
|
by MattPalmer1086
1028 days ago
|
|
I don't understand the points you are making. Could you clarify: > copyright, by intending to subsidize the creation I'm not sure what you mean by subsidize. Do you really mean incentivize? > of long-form work What does the length of work have to do with it? Copyright doesn't really have a size limit. > has also put a huge tax on the consumption of long-form work What do you mean by tax? That some creators want to be paid for their work? |
|
Copyright is a subsidy in the way a trade barrier is a subsidy. There's nothing natural about granting a monopoly on stories but not recipes, or on melodies but not the shape of a jacket or a building. It's just a hand-out that certain industries fought for, successfully made the status quo, and expanded over time.
And it goes far beyond paying people for creative work. Mathematicians are paid for their creative work and so are fashion designers. But neither have the right to say what others who weren't party to any contract with them can do with their creative work. If you want to share a mathematical formula or a fashion design or use it in new work you're free to, and the world benefits immensely from that. Books, films and songs are much more encumbered.
When I say the tax affects long-form work more than short-form, that's just based on the observation that books and films are typically locked away behind paywalls and off the open Internet, while the kind of ephemera the article talks about is free for everyone forever.
If books were free for everyone forever after 2 or 5 years, more people would read books, and it would be easier to build habit-driven products out of books. Lower the tax, increase the consumption.