So the answer to 'disgusting predators' is to declare all 'art' (ludicrous distinction, why not everything, and why art?) free? Why not go after the 'disgusting predators' instead?
you seem to be suggesting that abolishing copyright is tantamount to abolishing private property
this is obviously nonsense; no human society is known without private property, though there are extremely well-attested societies without writing, without farming, without war, without monogamy, without women, and without clothing
by contrast, all human societies were free of copyright for hundreds of thousands of years until 313 years ago, and in practice most still are
nobody is suggesting making it legal to carry away other people's paintings, records, and books because they are 'art'
we are suggesting making it reliably legal to copy them, because the freedom to reproduce art is something that nobody should ever be denied; retelling stories you've been told, and perhaps playing music you've heard, is as fundamental to being human as private property is. laws granting monopolies on stories and songs for the sake of profit are an intolerable abomination
i didn't say athos was an independent society; i'm just talking about culturally distinct societies, and which features do and do not seem to be universal across all of them. certainly nobody can doubt that the monks of mount athos have cultural traditions that strongly distinguish them from even other orthodox monks, much less nearby towns, but they still have their own rooms and robes. monks in the idiorrhythmic sketes can own quite a bit more than that, as i understand it, and in no case do monks steal personal property from visitors, as they would do if they rejected the concept of private property entirely
very few communities have not been "dependent on the outside from replenishment" within recorded history; even before recorded history, bronze-age mesopotamian kingdoms were evidently dependent on tin imported from cornwall, without which their rule would have collapsed
even deep into the stone age we have strong evidence of long-distance trading of prime knapping flint, but it's harder to know if communities were dependent on it; maybe if their trade routes were cut, they would have made do with lower-quality local flint
(just to disambiguate, this is not evidence that these ancient societies had private property; they might have been trading only their collective property. but they do seem to have made their tools of daily use from materials imported from other societies)
there are autarkic societies (the man of the hole, north sentinel island, the toromona, perhaps the himarimã, arguably north korea) but they are very much the exception, and have been for millennia, if not longer
i don't see that importing the young people that you need to perpetuate your society is particularly different from importing food or weapons. nobody doubts that argentina continued being a distinct society during the late 19th and early 20th century, despite mass immigration from europe increasing its population severalfold https://en.wikipedia.org/wiki/Immigration_to_Argentina#Featu...
You are free to repeat what you've heard, are you not?
So where do you draw the line and say "no, this is intellectual property, you are not allowed to take it with you"
(For my own part I've been coming around to thinking of it as a consent framework and not a property framework. I might refrain from distributing photos I have a copy of because someone in the photo asked me not to. Or delete a video I took at a kareoke bar because the singer is embarrased - not because they own the content and can sue me for distributing it, but because I want to be respectful of someone else's wishes.)
The value of art is in the experience of observing it (excepting the case of proxy transactions for money laundering).
A picture or video of a bike doesn't substitute for an actual bike if you need to ride it to the store.
An illicit digital copy of a song, however, is pretty fungible for an officially licensed digital copy.
I am much more inclined to suggest we look for better business models to support creators than compel them to live in poverty for my amusement (or deny their children the right to manage their estate).
this is obviously nonsense; no human society is known without private property, though there are extremely well-attested societies without writing, without farming, without war, without monogamy, without women, and without clothing
by contrast, all human societies were free of copyright for hundreds of thousands of years until 313 years ago, and in practice most still are
nobody is suggesting making it legal to carry away other people's paintings, records, and books because they are 'art'
we are suggesting making it reliably legal to copy them, because the freedom to reproduce art is something that nobody should ever be denied; retelling stories you've been told, and perhaps playing music you've heard, is as fundamental to being human as private property is. laws granting monopolies on stories and songs for the sake of profit are an intolerable abomination