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by bamfly 1060 days ago
For a time, you could make a living writing short stories for genre rags. A matter of a few decades, but still. Without needing to be a household name, even.

They're still the only places that pay non-famous and non-trendy people any money for short fiction. Most literary fiction publications below the tippy-top don't pay a dime, and lit-fic fosters a culture of accepting that state of things, even shaming people for asking about pay. Can't make a living in genre short fiction and the odd hastily-written pulp novel anymore—hasn't been enough demand for decades—but getting a check feels good, at least, even if it's two figures, and you won't get that in lit-fic.

2 comments

This model is coming back in a few small ways. Established writers I like Brandon Sanderson have shown that you can crowdsource funding for full length novels. They're also a large number of less established authors that produce chapters and are funded by patreons are equivalent as they go, similar to the magazine model.

Lasting probably at least there is a cool ecosystem of essentially book club podcasts. Some of the more successful have patreons of Their Own and kick back a percentage of donations to the original authors.

I think it's very cool to see some more diversity in literature funding models

> Established writers I like Brandon Sanderson have shown that you can crowdsource funding for full length novels.

... If you're already an established household name.

That's exactly what I wrote. And it's cool
> For a time, you could make a living writing short stories for genre rags

If you could write fast and didn't mind the occasional can of dog food.

True—it usually wasn't an amazing living. But it was a not-totally-implausible direction to go, if perhaps not the best move. Isn't even that, now.

IDK what the equivalent poorly-paid-but-is-a-career-in-fiction-writing move is now. Probably video game writing, though you won't be getting to come up with your own stories at the bottom rungs.

Supposedly Bob Silverberg at his peak, could do 10,000 words a day. He shared an office with another writer who was driven mad by the nonstop typing.