Two recent Criterion releases that have got criticized for colour grading were the Wong Kar-Wai boxset, and the Kieślowski “Three Colours” 4K re-release. But the Wong Kar-Wai colour grading was the director’s own choice and simply handed over to Criterion, while crew on the Kieślowski pictures claim that the 4K re-release colour grading is more faithful to the original celluloid than the earlier Blu-Ray release.
Modern film colour palettes is why when I saw That Dress breaking the internet my first thought as "you're both wrong, it's teal and orange" and -lolsob-
The problem with Criterion is that they have no idea how to catalog things or like everyone else they make a Byzantine system for good engagement/enragement.
I believe media should be arranged by at least the following categories.
Year
Studio
Director
Genre
Country of Origin
After that they can do whatever they want. I hope I"m wrong but I can't do this with iTunes, Netflix, HBO whatever, Criterion, TCM.
Criterion has newer films once they are released to the home market.
Also Criterion just edited "The French Connection" to make it more appropriate for viewers.