[ly3xqhl8g9]

If it's genuinely news to you that exploitation is a normal day-to-day part of any industry, perhaps these pointless replies should end here.

Yes, writers have been working for free [1].

[1] "In October 2015, Wil Wheaton created a stir when he declared that he had turned down an offer to write for the Huffington Post. He refused, according to him, because they had declined to pay for his work, in keeping with their policy of reimbursing writers with "exposure" in lieu of payment." https://www.vox.com/2016/2/26/11106006/writing-for-free Guess what writers who aren't famous have to do? Work for free, for "exposure".

[notahacker]

Strangely, it is not news to me that exploitation is a normal day-to-day part of any industry .

(This is why I have not made any statements to that effect, never mind done anything as ludicrous as post articles about unionised screenwriters seeking to negotiate a higher pay rate as evidence that "most" of them earned "nothing")

And this is also why I am not advocating a copyright-free world in which HuffPo has the right to sell ads around everything Wil Wheaton ever wrote without paying him a penny or even seeking his permission. Guess what writers whose work isn't copyrightable will be paid in? That's right, "exposure", and not even exposure with much prospect of paid compensation if their work takes off.

[ly3xqhl8g9]

Hope at least you are getting paid and you don't deploy such ridiculous amounts of bad faith for free.

My reply from above "Most of them already don't get paid, hence the strike" was specifically in the context of the streaming platforms not paying residuals in the same manner the studios do, hence the reference to the article.

What I find most funny is that you don't even know or care about alternative solutions, you just assume the copyright laws is for the best in the best of all possible worlds [1] and anything else would be chaos.

[1] Tout est pour le mieux dans le meilleur des mondes possibles, https://en.wikipedia.org/wiki/Candide

[notahacker]

What I find most funny is that you're implying there are alternative solutions that you do know and care about.

And yet instead of addressing my actual objection - that screenwriters seeking to get paid more for co-creating IP would be unlikely to see abolition of IP protection as a solution - by articulating those alternatives and how it would allow them to get paid more, you chose to assert they don't get paid.[1]

I mean, I'm not the one advocating the radical change here, even though actually I don't "assume that the copyright laws is for the best in the best of all possible worlds". So it's not really incumbent on me to answer my own objections by imagining screenwriter-satisfying solutions involving the abolition of copyright. If you actually had one and were able to advocate it with as much zeal as you have defended the claim "most of them already don't get paid" this might be a more interesting discussion.

[1]doesn't really matter if you were doing so "specifically in the context of streaming platform residuals" since whether or not they get residuals from a particular media type is irrelevant to the fact screenwriters are not in favour of proposals which would entail them losing both the residuals they do get and their job

[ly3xqhl8g9]

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